SAN PEDRO HUAMELULA, Mexico (Reuters) -In the southern Mexican town of San Pedro Huamelula, a unique celebration takes place each year: the symbolic marriage between the town’s mayor and a live alligator-like reptile.
This ritual, rooted in more than 230 years of tradition, represents the union of two of Oaxaca state’s indigenous cultures – the Chontal and the Huave – and is believed to bring prosperity to the community.
This year, Mayor Daniel Gutierrez took part in the ceremony, marrying “princess girl,” a female caiman, a reptile that closely resembles the alligator.
The caiman is known by the name given to her by the town: Miguelana Estela del Mar Zavaleta Ramirez.
As part of the ritual, the reptile is adorned in a white wedding gown and paraded through the town, visiting homes as residents dance to festive music.
Finally, Gutierrez seals the symbolic union with a ceremonial kiss, symbolizing his love and commitment to his ethnic group.
The caiman symbolizes the Huave princess, while Gutierrez represents the Chontal king. As the legend goes, a royal marriage between the two groups centuries ago ended a long-standing conflict. Hundreds of years later, the ritual continues as a symbol of peace and unity.
“For us, it’s a ritual in which we ask mother earth and our creator for abundance in our harvests, fishing, and every product our region can offer,” said Luis Manuel Lopez, a resident of the town.
The celebration spans three days of music, dance and vibrant cultural displays. The reptile is dressed by a woman known as the godmother in three different traditional dresses, including a regional Zoque dress adorned with bright colors, a multicolored skirt and floral headpieces.
The symbolic ceremony, held before a crowd of townspeople, marks the culmination of the patron saint festivities in honor of San Pedro Apostol.
“Huamelula is so rich in tradition and culture that today, like every year, Huamelula is in the eyes of the world,” Gutierrez said.
(Reporting by Raquel Cunha and Jose Cortez, writing by Mariana Hernandez, editing by Cassandra Garrison and Stephen Coates)
Comments